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دانلود کتاب Dancing an Embodied Sinthome: Beyond Phallic Jouissance
دانلود کتاب رقص یک سینتوم تجسم یافته: فراتر از ژوئیسانس فالیک
مشخصات کتاب
Dancing an Embodied Sinthome: Beyond Phallic Jouissance
ویرایش:
نویسندگان: Megan Sherritt
سری: The Palgrave Lacan Series
ISBN (شابک) : 3031423275, 9783031423277
ناشر: Palgrave Macmillan
سال نشر: 2024
تعداد صفحات: 238
[241]
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 5 Mb
قیمت کتاب (تومان) : 54,000
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توجه داشته باشید کتاب رقص یک سینتوم تجسم یافته: فراتر از ژوئیسانس فالیک نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
توضیحاتی در مورد کتاب رقص یک سینتوم تجسم یافته: فراتر از ژوئیسانس فالیک
توضیحاتی درمورد کتاب به خارجی
This book provides the first in-depth analysis of Lacanian psychoanalytic theory and the art of dance and explores what each practice can offer the other. It takes as its starting point Jacques Lacan’s assertion that James Joyce’s literary works helped him create what Lacan terms a sinthome, thereby preventing psychosis. That is, Joyce’s use of written language helped him maintain a “normal” existence despite showing tendencies towards psychosis. Here it is proposed that writing was only the method through which Joyce worked but that the key element in his sinthome was play, specifically the play of the Lacanian real. The book moves on to consider how dance operates similarly to Joyce’s writing and details the components of Joyce’s sinthome, not as a product that keeps him sane, but as an interminable process for coping with the (Lacanian) real. The author contends that Joyce goes beyond words and meaning, using language’s metre, tone, rhythm, and cadence to play with the real, mirroring his experience of it and confining it to his works, creating order in the chaos of his mind. The art of dance is shown to be a process that likewise allows one to play with the real. However, it is emphasized that dance goes further: it also teaches someone how to play if one doesn\'t already know how. This book offers a compelling analysis that sheds new light on the fields of psychoanalysis and dance and looks to what this can tell us about—and the possibilities for—both practices, concluding that psychoanalysis and dance both offer processes that open possibilities that might otherwise seem impossible. This original analysis will be of particular interest to those working in the fields of psychoanalysis, aesthetics, psychoanalytic theory, critical theory, art therapy, and dance studies.
فهرست مطالب
Acknowledgments Contents 1: Unravelling a Knotty Condansation 1.1 Dancing with the Lacanian Body 1.2 The Madness and Humanity of Dance 1.3 What Is Dance 1.3.1 Dance in Theory 1.3.2 Dance Studies 1.4 Summary and Choreographic Development 2: Changement 2.1 A Relational Turn Within Saussurian Linguistics 2.2 Loewald and Relationality 2.3 Psychoanalysis and Language 2.4 Poetry 2.5 A New Relationship to the Real 3: Setting the Bar(re) 3.1 Being in the World 3.1.1 The Imaginary 3.1.2 The Symbolic 3.1.3 The Real 3.1.4 Psychic Entanglement 3.2 The Art of Dance Within the Lacanian Psyche 3.2.1 Dancing with the Imaginary 3.2.2 Dancing in the Symbolic 3.2.3 Dancing the Real 3.3 Psychosis 3.4 Sinthome 3.4.1 Corollaries of the Sinthome 3.5 Dance, Psychosis, and the Sinthome 4: The Being of a Sinthome 4.1 Mirroring 4.1.1 Theorizing the Revelatory Mirror 4.1.2 Dance Reflections 4.2 Containing and (Potential) Space 4.2.1 Theoretical Space to Dream and Contain the Real 4.2.2 The (Potential) Space of Dance, Bound in Time 4.3 Play 4.3.1 Play in Theory 4.3.2 Dancing Play 4.4 Dance, Paradox, and Feminine Jouissance 4.5 Joyce and Fosse 4.5.1 Writing a Sinthome (Joyce) 4.5.2 Choreographing and Dancing a Sinthome (Fosse) 4.6 Sergei Polunin 5: Reinterpreting Joyce’s Sinthome 5.1 Rewriting the Standard 5.2 An Embodied Sinthome 5.3 Driven to Dance 6: Interlude 6.1 Joyce Dancing with His Daughter 6.2 Parallel Play 7: Playing and Dancing with Différance 7.1 Dancing an Ethical Act 7.1.1 The Swan’s Sinthome 7.2 Pas (de) deux 8: Reverberations of the Embodied Sinthome 8.1 Implications for (Lacanian) Psychoanalytic Theory 8.1.1 Symptoms and/or Sinthome 8.1.2 Lacan’s Place in Contemporary Theory 8.1.3 Sinthomic Discourse 8.2 Implications for Psychoanalytic Practice 8.2.1 The Return of the Real (Dancing) Body 8.2.2 Silencing the Voice 8.2.3 Mirroring/Divisions 8.2.4 Drawing on Tradition 8.3 Implications for Dance 8.3.1 Dance as an Art 8.3.2 Dance and Aesthetics 8.3.3 Dancing an Embodied Sinthome 8.3.4 Dance’s Humanity 8.3.5 Dance Therapy 9: Possibilities 9.1 Bearing the Real Real 9.2 “Shifting” the Symbolic 9.3 Creating Metaphor 9.4 Choreographing a Subject 9.5 The Next Joyce 10: Beyond Psychosis 10.1 Dance and Neurosis 11: Weaving an Impossible Bibliography Index
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